Jayne Interviews a Real Live Editor About Paranormal Romance

Jayne: Today we have with us Cindy Hwang, Executive Editor at Berkley Publishing Group. If you read paranormal romance, you've read Cindy's authors because she is publishing the hottest paranormal writers in the business.
Jayne: Working as an editor at Berkley Publishing Group you were one of the few in mainstream publishing who saw the paranormal romance wave coming and you wasted no time scooping up the hottest authors. How did you know the paranormal was going to go so big, so fast?
Cindy: Honestly, I really didn't know that paranormal romance would be the Next Big Thing. But, the fact that it's become enormously popular doesn't really surprise me either. I think the interest in paranormal romance can be attributed to a number of factors: 1) it reflects pop culture on a broader basis (TV, films, interest in other genres like sci fi/fantasy); 2) the paranormal subgenre is nearly limitless in the types of story one can tell--the only limitation is the writer's imagination; 3) because of the freedom the subgenre offers there are lots of fabulous, fresh voices paired with strong world-building--basically a lot of really good books are being written; 4) the people who love these books REALLY REALLY love them and are very quick to spread good word-of-mouth and share their find with others (the growth of the internet has really helped paranormal romance in particular)--I think this comes from literally years of having very few paranormal romances to read so fans don't take these books for granted.
Jayne: So how come you became so interested in the paranormal?
Cindy: Because I personally love paranormal romance and have for most of my life (nothing fired my imagination more when I was growing up than the Fairy Books of Andrew Lang; toss in the Frank Langella version of Dracula and a visit to the Winchester Mystery House when I was 8, and voila! A fascination with all things paranormal is born),
Jayne: Oh, hey, I grew up in California. I know the Winchester Mystery House!!!!
Cindy: I'm fortunate to work for a publisher who encourages editors to buy what they love, even when general market trends aren't favorably inclined. As a reader, I've always responded to strong voices, strong world-building and strong storytelling, and through the years I've noticed that the subgenre that consistently delivers all these things for me is paranormal romance. Again, for me, I think a lot of the appeal of paranormal romance is rooted in it's use of archetypes and larger-than-life concepts and ideas (i.e., a love that defies death)--I just respond to it on a gut level. I've just been lucky that a lot of readers seem to feel the same way. It's definitely an exciting time to be a fan!
Jayne: Who are some of the authors you are publishing?
Cindy: Some of my authors include Christine Feehan, Lori Foster, Angela Knight, Emma Holly, MaryJanice Davidson, Suzanne Simmons/Elizabeth Guest, Virginia Kantra, Pamela Clare, Eileen Wilks, Sunny, Alesia Holliday, Nalini Singh, Cathie Linz, Linda Castillo, Lisa Valdez, Barbara Bretton, Karen White, Erin McCarthy and Maureen McKade. I like a wide variety of romance subgenres and styles, and I try to reflect that in the authors I acquire and work with.
Jayne: People speak of the paranormal romance as a single genre but you see several subdivisions within it -- some more successful than others. What works within the realm of the paranormal and what doesn't?
Cindy: In the 1990's, fueled by the popularity of Constance O'Day-Flannery and Jude Deveraux's KNIGHT IN SHINING ARMOR, time travel was easily the most popular subset within paranormal. I remember reading traditional Regency romances in the early 80's that featured time travel. Berkley even devoted a whole romance line to time travel romance called Time Passages. Many readers didn't consider time travels to be paranormal though, because they often read like straight historicals once the hero/heroine traveled to the past (the books usually moved from present to past). So the success of time travel romance didn't extend very far to other paranormal romances. Ghost romances were also very popular for a while (thanks in part to the movie GHOST) and its cousin, the angel romance, had it's day in the mid to late 90's as well.
Jayne: So, what's happening today in the realm of the paranormal?
Cindy: Today, paranormal romance is definitely divided into several subdivisions--there's dark fantasy/horror, where I would put all the vampires, werewolves, witches etc. used in a darker universe and tone. On the opposite end there's funny paranormal, which often can have a chick lit veneer to the voice and stories. There's also futuristic/sci fi romance, and pure fantasy romance. There still the occasional time travel or ghost romance, but the most popular creature now is the vampire. You definitely see more darker, edgier, sexier paranormal romances now, but really there are books all along the paranormal spectrum. There are truly books for every taste.
Jayne: What is this Urban Fantasy sub genre that people are talking about?
Cindy: Ginjer Buchanan, an editor at Berkley/Ace who has edited Laurell K. Hamilton and Charlaine Harris among others, and I often discuss what constitutes Urban Fantasy. There's some paranormal romance that can be classified as Urban Fantasy, and we've been working on ways to promote authors and books in both ponds since we know there's a large crossover readership. When you get down to it, Urban Fantasy is a true cross-genre subgenre. Basically, Urban Fantasy can be defined as fiction that features preternatural creatures interacting with humans or other beings in a non-hidden manner. The world is contemporary and often a mirror of our own world, with the addition of preternatural creatures. The setting is usually urban, although not always. The tension often comes from the conflict of having the preternatural beings exist somewhat uneasily in a larger society made of non-magical beings. The protagonist is usually female, and there can be some kind of romantic element, but what propels the plot is not the romantic relationship--more likely, the plot is suspense-oriented.
Jayne: Are you still actively seeking paranormal manuscripts?
Cindy: Absolutely, though it takes a lot to knock my socks off these days. I think that sometimes writers try too hard to come up with something that's never been done, and forget that most important thing is still the writer's voice and storytelling ability, and not the paranormal elements.
Jayne: Meanwhile, what's happening with the more traditional romance market: historicals and contemporaries?
Cindy: Never fear, historical and contemporary romances are alive and well! Not everyone loves paranormal, of course, and in this age of diversity, I think it's more important than ever to give readers a choice. So publishers are still committed to buying and publishing historical romance and contemporary romance (romantic suspense, romantic comedy and contemporary romance). The problem comes when we can't find the quality we're looking for, because writers have decided that these subgenres won't sell and thus are no longer writing in these areas. It is true that for the most part, the historical and contemporary romance market isn't as strong right now as paranormal, but I think we (editors, publishers and readers) have been reading romance long enough to know that everything cycles around, and that as long as good books are being published in these subgenres, there will always be markets for them.
Jayne: Thank you so much, Cindy, for chatting with us today. Readers: Tell us about your experience with the paranormal!





















