Running With Quills, Blogsite for Jayne Ann Krentz, Elizabeth Lowell, Stella Cameron, and Suzanne Simmons
Susan Andersen
Suzanne Simmons



Stella Cameron
Stella Cameron




Kate Douglas
Kate Douglas




Lori Foster
Lori Foster



Jayne Ann Krentz
Jayne Ann Krentz




Elizabeth Lowell
Elizabeth Lowell




Carla Neggers
Carla Neggers











  • Welcome to Running With Quills, your online newsletter designed to keep you up to date with what your favorite authors (that would be us) are doing throughout the year. Here you will find the release dates of our new books and get information about our backlists. We'll preview our cover art here long before the books hit the stores and we'll keep you informed about works-in-progress and special projects. You'll also receive advance notice of signings and appearances. From time to time we'll give you a peek at our worlds, tell you what we're reading, and introduce you to some new authors.

    Congratulations to Susan Andersen and Jayne Ann Krentz for ranking among Amazon.com Editors' Best of 2009 in Romance!

    Sunday, October 22, 2006

    Stella and Jayne Go Shopping for Holiday Gifts


    As Lori's blog reminds us, the holidays are just around the corner. Looking for the perfect gift for that special someone on your list who is crazy about horses? Hey, you know who you are. Just about every little girl who grew up to love romance novels started out reading horse books. Some of us (ahem) never outgrew them.

    Which brings us to our Super Cool Gift Suggestion of the Month, a fantastic new horse book. Meet our guest today, CATHERINE JOHNS, former curator at the British Museum. Her new book, HORSES: HISTORY, MYTH, ART arrives in stores this month and because this just happens to be the start of the shopping season, we've asked her to discuss her new release.

    Stella: Welcome to RWQ, Catherine: Please tell us about HORSES: HISTORY, MYTH, ART.

    CJ: It is a picture-book with about 180 colour photographs of objects, dating from the early Stone Age to the present day, which illustrate the relationship between horses and people. There is an essay about the evolution and domestication of the horse, and the many roles the animal has played in human culture – themes such as racing and hunting, the care of horses, warfare and transport, mythology and symbolism – followed by 80 double-page picture spreads, each with a short, self-contained text of about 300 words. All the objects pictured and explained are from the collections of one of the world’s great museums; the British Museum.

    Jayne: You have published a number of books, both popular and scholarly, relating to your professional field of Roman archaeology: what made you decide to write a book about horses?

    CJ: I am deeply interested in all animals, and have always loved horses. I am one of the many women who read every horsy book, fact or fiction, that she could lay hands on as a child. As an archaeologist, concerned with the whole subject of human culture, I have been fascinated by the worldwide special relationship between humans and horses: they have a unique bond. I wanted to convey that visually, through the countless objects that people have made and used that depict the beauty and character of the horse.



    Stella: Time for that famous question, where did you get the idea for this book?

    CJ: I first proposed a picture-book of horses in the British Museum collections to British Museum Press nearly 25 years ago, but they were not interested. Then, a few years ago, a colleague who was doing the academic research on one of the Lakenheath burials (a 6th-century Anglo-Saxon warrior who was buried with his horse) had the idea of a special British Museum exhibition on horses. A very enthusiastic group of curators formed a planning committee, and we established the topics and objects that we wanted to include. Sadly, the exhibition was shelved, but the preparatory work we did helped to form the basis of this book. Around that time, my publishers suddenly concluded that there was a market for horse books after all, and started to press me to research and write one, even though I was in the middle of another, major writing project.

    Jayne: Ah, yes, the publicity department finally notices that there is an audience...As I was saying, the artefacts illustrated and discussed in your beautiful book range very widely over place and time, from about 10,500 BC to the 21st century, and from many parts of the world. How did you, a Classical archaeologist, write knowledgeably and confidently about things like medieval armour, Mughal painting, Victorian jewellery and Tang Dynasty tomb-figures?

    CJ: With the help of my friends! If you look at the Foreword, you will see that, in the standard academic tradition, I acknowledge the help of no fewer than 24 friends and colleagues. I was able to pick the brains of true experts on everything from practical equitation to Egyptian hieroglyphs, Buddhist iconography, medieval Islamic metalwork and Japanese netsuke. The internet was often useful, but my colleagues were indispensable.



    Stella: What sort of readers do you think will enjoy the book?

    CJ: It should attract horse-lovers above all, but it is full of arcane information on many, many aspects of art, history, mythology and human culture generally, so I hope that people who simply enjoy picking up facts of many kinds will get a kick out of it, too. I certainly enjoyed doing the research.

    Jayne: The book is listed as being for adults, not children: is the text easy enough for a young reader?

    CJ: It is not actually written for children, but kids who love horses usually like to learn obscure facts and specialised terms, and I have explained all the really technical or academic words anyway. The short discussions that accompany the pictures make it possible to dip into the book at any page, and I think the pictures will draw in even those who are too young to understand all the text. I could have read it myself with pleasure by the age of about ten.

    Stella: There are countless books in print about horses but this one is special. Why is that?

    CJ: A very high proportion of the horse books available are chiefly about the hundreds of modern breeds, or about the practicalities of riding and the care of horses. Books in English on the horse in art tend to focus on fine art – paintings and sculpture – from the Western world within the last 400-500 years. I don’t know of another book that deals with horse imagery on objects as diverse as jewellery, pottery and glass, gems, coins, bone knife-handles, and drawings and sculpture, or that gives as much weight to the arts and crafts of the Middle East, Asia and Africa as it does to those of the Western world.

    Jayne: What is your next writing project?

    CJ: The first must be to complete the large scholarly catalogue I have been working on for several years. But after that, and provided Horses sells well, it occurs to me that it would be a lot of fun to do a companion volume entitled Dogs: History, Myth, Art. I have already made a preliminary list of some wonderful objects for this in the Museum’s collections…

    Stella: Thank you so much for joining us on the blog, Catherine! For those of you out there who would like to purchase HORSES, HISTORY, MYTH, ART, below are links to both U.S. and UK online booksellers. (Note that the UK edition features a different cover. Interesting). Of course, if you happen to be in London, you can always pop around to the gift shop at the British Museum where you will also find the book for sale.

    Jayne: What about those of you reading this blog? Got a special feeling for horses? I know I do. They were the magical creatures of my childhood.



    Order US version:

    Order UK version:

    29 Comments:

    Anonymous Jaclyne Laurin said...

    Horses are such beautiful & graceful creatures. I love to look at them in motion.

    They're so big though, I'm always nervous when I get close to one. I've never lost my fear of riding them, so sadly I'm not a very good equestrian.

    8:55 PM  
    Anonymous Ranurgis said...

    I've always wanted to be able to ride. However, our parents were more in favor of our getting a good education than of more sporty endeavors and at the time I grew up there weren't a lot of chances to earn my own money.

    However, as you mentioned, I loved horse books like Walter Farley's and othera as a precursor to romances. Since archaeology has always been one of my interests, I've found pictures of and references to old figurines of horses. I also loved looking at paintings or statues of them. You really can't get around them when you're in Europe. I'd love the book but it's certain to be well beyond my finances. Maybe I can get our library to buy at least one for the whole city. The dog book sounds like another great idea.

    11:13 PM  
    Anonymous Ranurgis said...

    Oh, and I had a number of horse figurines, some of them only a few centimeters in size, other larger; I even got one made in a glass-blowing factory in Murano Island, off Venice. Unfortunately, a lot of them were finally so broken that I only have about a quarter of them left after various moves.

    11:19 PM  
    Anonymous Anonymous said...

    Catherine.
    Congratulation with a wonderful book.
    Sirry.

    5:11 AM  
    Anonymous CJ said...

    Thanks, Sirry. Now I hope that some people will buy it!

    :-)

    6:32 AM  
    Blogger KathyK said...

    I'd really like to see a book on Cats: history, myth and art. Dogs are wonderful companions, but cats are much more fascinating, I think.

    8:14 AM  
    Anonymous Anonymous said...

    Oh, I definitely know a 13 year old girl who will love getting this for Christmas! Thanks for the suggestion.

    8:48 AM  
    Anonymous CJ said...

    Kathy: it is not possible to write a 'parallel' book on cats. I gave the matter plenty of thought more than 25 years ago, because I am a passionate cat-lover. But the closest one can come to it already exists, anyway - it has been written. Cats Ancient and Modern (entitled The British Museum Book of Cats in the UK), by Juliet Clutton-Brock, has been a bestseller since it first came out in 1988. I heartily recommend it to you.

    Parallel, closely matching picture-books can be done on horses and dogs. Both were domesticated in early prehistory, and have been human companions in most cultures and societies. Cats are recent domesticates (no earlier than about 1500-2000 BC), and have a much slighter and patchier relationship with humans; they have been referred to as 'exploited captives' rather than true domesticates, though it is not always quite clear, with cats, who the exploiters are! Some human communities have mistreated them vilely. They are much more scantily represented in ancient art and artefacts than are horses and dogs.

    I only hope that Horses sells half as well as Juliet's cat book, or indeed any of my publishers' three other popular cat books!

    9:19 AM  
    Blogger Jayne Ann Krentz said...

    I love the fact that a scholar like Catherine turned her attention to the subject of a certain animal and its connection with human history. We so often take for granted our bonds with the rest of the creatures on this planet.

    The animal-human connection deserves more study.

    12:25 PM  
    Anonymous CJ said...

    I think that this is part of a developing trend in scholarship, Jayne. In the Victorian period, Man was known to be the Lord of Creation (and I do mean Man, not Woman, let alone Child!): everything else was subordinate, merely placed here for Man's use.

    Feminist scholarship from the 1960s onwards has permeated thinking both in academia and in the wider world: we now realise that human culture was made, not only by the males of the ruling classes, but by women and children too, and not only those who had wealth and power, but also the humbler, hardworking and often oppressed members of society, all working in a complex ballet of relationships. The contribution made by the rest of our environment - all the other animals, the landscape and climate - are all now being more seriously assessed and understood as an integral part of the history and prehistory of our species. The history of human culture is inextricably bound up with the animals, plants, landscape and climate with which humankind has lived.

    There is so much more still to learn! Argh! I am too old to see all the wonderful insights and discoveries that will be made!
    :-)

    1:30 PM  
    Blogger Estella said...

    Congratulations on a great book!

    2:50 PM  
    Blogger talpianna said...

    I can't wait to read it! I too went through the read-every-horse-book ever written phase. Poor Catherine, growing up in the austerity years in Britain, missed out on a lot of the books, like Marguerite Henry/Wesley Dennis and Walter Farley.

    I think our love for and desire to communicate with other species is one of the reasons that intelligent, talking or telepathic animals are such a popular motif in SF and fantasy: consider Anne McCaffrey's dragons, Andre Norton's cats (and other creatures), Steven Brust's jheregs, and the like. As Norton pointed out in CATSEYE, there will be a new era when we can work with other species as friends and full partners rather than masters and servants.

    So when can we expect MOLES: HISTORY, MYTH, ART?

    loimuzs -- Lots of interesting matter, urge zealous study [of Catherine's book].

    3:22 PM  
    Blogger Stella said...

    Catherine:

    This feels like a triumphant event. Years of discriminatin study culminating in a truly beauty book that is accessible to readers.

    My oldest granddaughter, who is 6, will get a copy. Currently she makes connect the dots pictures for me and each one turns out to be a horse! She rides a brave fellow called Aradonis and can tell me all about picking his hoofs, brushing him, saddling--riding him through cones--oh, the descriptions are endless. A few days ago she gave me a present tense narrator's description (the narrator was Prince, a black horse who shares the paddock with Aradonis) about a little girl called (surprise!) Serena who came for a riding lesson.

    Yes, there is a love affair between girls and horses and between Man and horse.

    Another copy will go to my neice in England who is also a horse lover. She's an adult and I know she will be thrilled with the beauty of the book.

    Thank you so much for undertaking this massive project. We'll all be enjoying the work and so will many other people who feel as we do.

    Now, how long before you dog book? Tut-tut, I must control myself and be patient.

    Cheers, Stella

    This book is also available through the Metropolitan Museum of Art Shop in New York. Look them up on the Internet and you'll see how well the cover reproduces and this is a simple way to order a copy.

    4:17 PM  
    Anonymous Lou said...

    Ah yes, horses, my favorite subject!! Started begging my mother for riding lessons as soon as I could talk. She gave in when I was four. Had my first lesson on a 16 hand (4 inches to a hand) mellow older horse and the rest was history. No one could figure out my obsession with horses until information about a great uncle surfaced. He was the only other one in the family born with red hair, and he raised trotting horses that he raced at the fairs.

    Still riding 60 years later and will 'till I can't. Some girls outgrow their obsession with horses at around 16 (boys, cars), some don't. I've tried other sports but always came back to riding. The book sounds wonderful!!

    Tal - great to see your comment. We miss you on SWHW.

    4:38 PM  
    Anonymous CJ said...

    I hope your granddaughter will like it, Stella. I am waiting for my author copies now, to start sending them out to friends and colleagues.

    Dogs: well, I think the publishers are interested. But it depends on how Horses sells, and also, on my finishing the big scholarly catalogue first. I have written reams of it (well, about 120,000 words), but however much I do, the amount still to do doesn't seem to diminish...

    :-)

    4:38 PM  
    Blogger talpianna said...

    HAPPY MOLE DAY, everybody!

    5:01 PM  
    Anonymous Louis said...

    Among my DDs first words were...'orsey, 'orsey. It went from there...first horse at 14 and then we got involved with Arabian horses...26 years later...still involved with the beautiful animals...cleaned corrals before comming to computer.

    Looking forward to getting this book.

    Tal...nice reading your comments.

    5:44 PM  
    Blogger elizabeth said...

    Just ordered my copy. Can't wait!

    6:01 PM  
    Anonymous Louis said...

    Just ordered my copy, looking forward to receiving it.

    11:23 PM  
    Anonymous CJ said...

    My thanks to those who are ordering the book. I do hope it will live up to your expectations.

    I do wonder why the Amazon UK link shows the American edition (not only the cover art, but also the Harvard imprint). So do Amazon France and Amazon Germany, come to that. Perhaps because Harvard had a catalogue entry, with image, for it online earlier than British Museum Press. The book is identical, of course, apart from the dust jacket.

    This is a direct link to, quite definitely, the UK edition!

    http://www.britishmuseum.co.uk/Product.aspx?ID=1152

    I don't know the html stuff for making that a clickable link.

    5:45 AM  
    Anonymous CJ said...

    Still on the ever-popular topic of cover-art, may I ask people for their thoughts on the different US and UK covers?

    The American publisher obviously reckoned that the ultra-romantic oil-painting by Géricault would work best for the US market. The only opinion I have canvassed so far is Talpianna’s, and she prefers it, so on a sample of one, Harvard U.P. is right!

    The reasons for the choice of a 17th-century Mughal watercolour for the UK edition are these:

    (1) the Mughal painting is in the book. The Géricault grey is not, though there are a couple of other works by this artist in the text;
    (2) the Mughal painting is a specific horse-portrait. The skewbald stallion’s name, Amber Head, is inscribed on the picture;
    (3) the picture is of a riding-horse, saddled and bridled, but without a person: this is true of both cover images;
    (4) the Mughal painting is not famous. Indeed, I think it has been published only once before;
    (5) the choice of an Indian, Islamic work of art emphasises that the book is not confined to modern Western material.

    My own preference is strongly for the Mughal painting, which I love, though I do not dislike the other: Géricault drew and painted horses very well! Which cover do readers here prefer, and why?

    6:19 AM  
    Blogger Jayne Ann Krentz said...

    I like both covers very much but knowing a bit about how American publishers think (at least I believe I know a little bit about that subject) I'm guessing they went with the fiery-eyed grey simply because it is a more "dynamic" figure and, therefore might translate into "exciting" in the minds of potential buyers...

    But who can say what arcane factors actually go into the choice of cover art? Not me, that's for sure.

    --Jayne

    6:41 AM  
    Blogger KathyK said...

    Thanks, Catherine, for a reference to the book about cats. It sounds fascinating. I knew you were a cat lover, so it puzzled me why you wouldn't have a cat book on your agenda. Now you've explained that. But knowing your erudition, I can't help but think you'd make a brilliant contribution to the literature, should you choose to address the subject.

    7:39 AM  
    Anonymous Louis said...

    I prefer the grey Arabian painting...mainly because my interests for the last few years have been and are centered around raising beautiful Arabian horses. The "skebald" painting, to me, is overly plump and not really a true horse shape...maybe he was that way in life.

    2:50 PM  
    Anonymous CJ said...

    Louis: "skewbald" ='pinto' in American, as I expect you know; a black-and-white is 'piebald'.
    :-)

    Amber Head was a 17th-century Middle-Eastern Arab horse, probably of Persian lineage, just a little earlier than the time when the Byerley Turk was imported into England... :-)

    Remember that painting is not photography; there are stylistic exaggerations in the 19th-century painting as well as in the 17th-C Indian one. The relative proportions of head and body have been adjusted in many periods of art (head too small for the body), and actually, I should say that is true of the Gericault as well, even allowing for foreshortening. But the exaggeration of the powerful hind-quarters and the depth of the barrel are typical of Indian art of the 17th-19th centuries. Also, interestingly, of European Renaissance art.

    It does look as though the 19th-C painting was the right choice for the American edition though.

    :-)

    3:03 PM  
    Blogger CorgiNole said...

    I have a collection of horse stories - some of which are now out of print (still need to find one more Dorothy Lyons book - Bright Wampum - for an affordable price to complete that collection).

    I grew up riding and have always loved horses, but never owned my own. One day I will!

    Cheers, K

    10:58 AM  
    Anonymous Anonymous said...

    I prefer the US version because, as JAK said, it´s more dynamic. There is a strong sense of movement and excitement in that picture.
    Sirry

    6:51 AM  
    Anonymous AgTigress said...

    Thanks, Sirry. It may not be visible in the relatively small images, but I have both covers in front of me, and to me, the grey looks very stressed and frightened, with starting eyes and flaring nostrils, rather than 'dynamic', whereas the skewbald looks proud, calm and confident.

    The grey is saying, 'Help, what's that? Aaargh! Is it going to attack me? I'm getting out of here!'

    The Mughal horse is saying, 'I know I am gorgeous, and I am willing to stand here as long as it takes you to paint me, but I hope the finished portrait will do me justice!'

    :-)

    10:10 AM  
    Blogger Jayne Ann Krentz said...

    Hmm. I can read the covers both ways, now that AgTigress points out the difference. Interesting how cover art is interpreted by what we, as individuals -- and our cultural backgrounds - bring to it.

    But, then, I may be biased because I just waged a huge battle to get a t-shirt on a cover model for the reissue of one of my Jayne Castle books. I won the t-shirt battle (can't say contest!), but there was nothing I could do about the fact that he still looks about 19 and his mouth is hanging open...

    --Jayne

    7:21 PM  

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